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#85

WALTER KRATNER  // „DÄMMERUNG“ (1996)

Rauminstallation im Kreuzgang für Kulturzentrum bei den Minoriten

Kurator: Josef Fink (1941-1999)

„Die vorgedachte, konzeptionsbezogene Schlichtheit dieser Werkarbeit ist eine sprachlose Beschreibung der Grundkräfte des Wirklichen: Aggressionen, Verletzungen, Zerstörungen. Rohe Gerätschaften (Stangen, Steine, Säcke), die eher zur atavistischen Natur des Menschen gehören als zur Kunst, zeugen – in einer Rückerinnerung – vom Voranschreiten beängstigender Zustände.“ (Pressetext, Kulturzentrum b.d. Minoriten, 1996)

„(…) The choice of material derives from the iconography of poverty which characterizes the Franciscan order: wood pressed between two columns, a poor material with nails. The wood also acts as a division between the inside and outside – a wooden barrier referring to the psychological state of those inside. The architectural function of the cloister columns, meant to alternate dark and light as a form of meditation, is heightened with the resulting dimunition of light.“

Walter Titz, Kleine Zeitung, Graz  (engl. Version: Galerie „refusalon, San Francisco)

Video: Masoud Razavy Pour

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>> WALTER KRATNER >> BLOG 83 („3 Roses“) | >> BLOG 81 („Clean Hands“) | >> BLOG 79 („Woyzeck. Der Richterspruch“) | >> BLOG 66 (The Trap) | >> BLOG 45 (Hunger is the best source“ | >> BLOG 43 („Lampedusa 2 / Fragment“) | >> BLOG 39 („Celan“) | >> BLOG 35 („Broken Book 3“) | >> BLOG 34 (Werkbuch 6) | >> BLOG 30 („Nach der Jagd“) | >> BLOG 22 („Bagdad, 12. Juli, 2007“) | >> BLOG 12 („Werkbuch 5) | >> BLOG 3 („Der Makel“) | >> BLOG 2 („Ceija Stojka, Porajmos“)

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#34

WALTER KRATNER // WERKBUCH 6 // “Homeless” (2002)

Djerassi Resident Artists Program, San Francisco // Executive Director: Judy Freeland

September, October 2002 // San Francisco, Woodside, CA

Walter Kratner worked in the Djerassi-Program 2002 for a limited selection of usual material – ropes, sickles, nails, wood, felt and burned bread. He arranged and rearranged the objects in different variations on the wall and on the floor to explore elemental forces (pressure, counter weight, decay, etc). These archaic constructions reflect the current social and political situation.

Project-Work: “homeless”

A modern tent is used as an example for perfect technical design of our time. Produced for holydays in the mountains or at the sea, the tent is used very often from the homeless in the streets of San Francisco as a shelter. In the context of the artwork Walter Kratner wanted to show the real dimension of living (space and behaviour). Fixed by massive fastenings with hemp ropes on the wall (as the drawing at the end of the film shows) it doesn’t allow the person (habitant) to sleep, but only to stand up. The installation should give the sense of „sleepless“. (Pressrelease)

Video, Videografik: Masoud Razavy Pour // Scan: Harald Polt

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>> SIEHE AUCH: CARL DJERASSI_Der Schattensammler (pfingstART 2014)

>> SIEHE AUCH: WALTER KRATNER | WERKBUCH Gesamte Playlist

>> SIEHE AUCH: WALTER KRATNER | >> BLOG 66 (The Trap) | >> BLOG 45 (Hunger is the best source“ | >> BLOG 43 („Lampedusa 2 / Fragment“) | >> BLOG 39 („Celan“) | >> BLOG 35 („Broken Book 3“) | >> BLOG 34 (Werkbuch 6) | >> BLOG 30 („Nach der Jagd“) | >> BLOG 22 („Bagdad, 12. Juli, 2007“) | >> BLOG 12 („Werkbuch 5) | >> BLOG 3 („Der Makel“) | >> BLOG 2 („Ceija Stojka, Porajmos“)

>> ZURÜCK ZU PFINGSTART_AKTUELL

>> ZUM KÜNSLER_INNEN INDEX